Life is good.A curated list of awesome things related to Vue.js Spark one and put “What I Got” on the Sonos. In fact, a recent tweet that made the rounds from the non-profit Sociological Science claims that these days “shows the modern formula for having high status tastes: you like every genre.” That was Sublime’s whole thing and why they’ve come back around a quarter century later. That sort of very ‘90s thinking seems to be making a comeback. After the Judgement Night soundtrack came out, I thought that maybe rap and metal could work together, the horror of nu-metal nowhere on the horizon. I was introduced to jazz albums via hip-hop song samples. X sensibility-“You can mash anything together and make it work”-that made the 1990s a really great time for music. It’s a specific moment, dominated by a very Gen. That, I think, is the best way to make peace with Sublime: by understanding that the band represents a moment in time. A lot of their songs were being played the way a DJ samples except with a full band.” “I think was straight up lifting stuff from songs the way rap samples things. “I think musically they were doing some cool shit,” he said. Of all the people I talked to, Perry Shall, host of the T-shirt show “T-Time,” offered the most nuanced response. Sublime’s lack of pretension sometimes crosses the line into silly-but sometimes I like that. It was music made by and for exactly what the members were: California stoners who liked skateboarding and listening to punk, reggae, rap, and whatever else was on when they were pulling bong hits. They’re fun in a very 1990s give-no-fucks way. Yes, the band wrote some awful songs-“Date Rape,” if the title didn’t give it away, is about sexual assualt and its tasetlessness ruins its catchiness-but they also have some really good ones. Just ask the six million monthly listeners on Spotify. And, as all those Sublime T-shirts seem to suggest, people seem to be paying attention.ĭon’t get me wrong: Sublime is still popular. The Washington Post recently declared “ The ska revival is here” every other person you see has a pair of checkerboard Vans Jeff Rosenstock re-recorded his critically-lauded 2020 album No Dream as Ska Dream. The author Aaron Carnes wrote In Defense of Ska, an intelligent look at the much-maligned genre and its various “waves,” from 1960s Jamaica to today. Lately, the whole ska narrative is changing. I can admit that all now, but I still can’t look somebody in the eye and admit I like Sublime. The one truth I’ve learned is you can’t outrun your ska past. It wasn’t an intense phase, but I definitely skanked with glee when they played Reel Big Fish at a school dance. I’ll also admit: yes, I dabbled in the dark skarts. It was all a flurry of random punk and hardcore sub-genres from there. I stopped listening to Sublime cold turkey. And then, when I was 14, an older punk kid I looked up to said they sucked, so I didn’t like Sublime anymore. But the shirt has been making me wonder: do people just like the Sublime T-shirt because we’re stuck in a neverending cycle of retro? Or is Sublime.a good band? It’s become a little like the Joy Division T-shirt: you see one everywhere you go, but you aren’t exactly sure who is a fan and who just likes the way the shirt looks. Maybe this guy scored it from an older sibling maybe that girl dropped a few hundred bucks on Grailed maybe that 17-year-old got one at Hot Topic. There’s no one kind of person who wears them. Lately, I’ve been seeing vintage Sublime T-shirts all over the place.
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